An Americano before setting off
Stuart Maconie, for those not familiar with his work on
radio and print, is warm, witty and erudite, and an unapologetic champion of
pop music. Through his radio 2 series
“The People’s Songs” (and accompanying book) he has explored the role of music
in shaping and reflecting the realities of modern Britain.
Birmingham Town Hall is an iconic venue marking the edge of
Victoria square, and will be familiar to many Brummies. The hall opened in 1834, with one of the
architects being Joseph Hansom, later the inventor of the Hansom cab. The Town Hall project actually bankrupted
Hansom, the experience of which may have led to him later becoming a radical
socialist.
I mention this as the Town Hall is therefore an appropriate
venue for Maconie’s discussion of music, politics and everything in between,
with particular focus on ‘ordinary’ people, as the building has served in the
past as a forum for political debate and a meeting place for local
government. During his talk, Maconie
drily noted he felt the pressure, knowing that Charles Dickens gave readings at
the Hall (apparently, the first public reading of a Christmas Carol). The venue symbolises the grandeur and
optimism of the city in the 19th century, and we should remain proud
of it today.
Maconie is an engaging speaker, and his talk this evening is
fairly fluid, structured loosely around some of the themes from The People’s
Songs radio programme, a good format for a raconteur used to performing on live
radio. As well as The People’s Songs, the talk includes excerpts from Maconie’s
amusing and insightful books on music, food and The North, all of which he
links well to his personal stories – his tale of being taken to see The Beatles
as a small child is particularly hilarious.
In the hands of a less likable host, some of the tales could have
descended into grating “here’s a story about my famous mates” anecdotes, but
Maconie is unpretentious and grounded and these instead become fascinating
insights.
The only downside of the evening, ironically, is the venue
itself. Despite being a spectacular
building, both outside and in, the Town Hall is too large and “showy” for
Maconie’s warm and inclusive manner. The
hall was less than full and this did give rise to a slight sense of being
present at a sparsely-attended political gathering. Overall, this reviewer felt that the event would
have felt better in a more intimate setting.
This is, however, not a criticism of either the Town Hall, or
of Maconie himself – both are things to
be treasured.
During the evening, Maconie noted with glee that The
People’s Songs programmes are on the iplayer for 800 years (I’ve checked, and
it seems he was getting ahead of himself – the latest episode is due to expire
in 2099…). Let’s hope that the heirs to
this warm chronicler of the modern world are appearing at the Town Hall then.
[This post first appeared on www.birminghamfavourites.co.uk
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Monday, 28 April 2014
Stuart Maconie - The People's Songs, Birmingham Town Hall - 16th October 2013
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